≪Size≫ (Please note that there may be slight differences)
Diameter 16x. Height 7.5 cm
≪Condition≫It is generally in good condition.
≪Description≫
Nakamura Toko's origins date back to 1798, when the first generation, a retainer of the Kaga clan, trained in the pottery industry in Kyoto and began making pottery in Komatsu in 1798. He was employed by the Kaga domain and worked hard to revive Kutani, but when the domain was abolished and the prefecture was established, three generations moved to Kyoto, where it continues to exist today.
The fifth-generation maker of this bowl studied under Yaichi Kusube and Rokuwa Shimizu, and spent his most productive period as a writer in the midst of the post-war tea ceremony boom. Although the number of works is relatively small, all of them, such as tea utensils and kaiseki utensils, are of very good taste. He is an artist who leaves behind so-called ``tea drinking utensils.''
This Mishima-copied tea bowl faithfully pursues the taste of the original poem, while also having a strangely Showa-like, modern presence. It is said to have a lot of promise and a large appearance, so I would like it to be used especially for men.
≪Box/Appraisal/Accessories≫
Manufacturer's box
Diameter 16x. Height 7.5 cm
≪Condition≫It is generally in good condition.
≪Description≫
Nakamura Toko's origins date back to 1798, when the first generation, a retainer of the Kaga clan, trained in the pottery industry in Kyoto and began making pottery in Komatsu in 1798. He was employed by the Kaga domain and worked hard to revive Kutani, but when the domain was abolished and the prefecture was established, three generations moved to Kyoto, where it continues to exist today.
The fifth-generation maker of this bowl studied under Yaichi Kusube and Rokuwa Shimizu, and spent his most productive period as a writer in the midst of the post-war tea ceremony boom. Although the number of works is relatively small, all of them, such as tea utensils and kaiseki utensils, are of very good taste. He is an artist who leaves behind so-called ``tea drinking utensils.''
This Mishima-copied tea bowl faithfully pursues the taste of the original poem, while also having a strangely Showa-like, modern presence. It is said to have a lot of promise and a large appearance, so I would like it to be used especially for men.
≪Box/Appraisal/Accessories≫
Manufacturer's box